2010 was first year where I took convention-going seriously. I’m attending to make a profit (not just have fun), been doing my best to make contacts with others serious about their craft/making money, doing panels for the first time, etc.  Here’s the lo-down on what happened, what sold (and what didn’t), and what I’ll be doing differently next time. This is not really a post for people interested in attending conventions as a guest, or even as an artist just interested in networking, not selling. This is my approach to making money with comics at a convention, period. Wish I had pics, but no camera.

UBCon

This is a 3-day anime and gaming convention put on by the University of Buffalo (where I attend). I was offered a free table, it was 10 minutes from my apartment, and therefore my overhead was EXTREMELY low. People interested in going to a convention (to sell stuff) for the first time, I highly recommend getting your feet wet with the local, inexpensive contentions.

Since I had a lot of extra merchandise from my previous convention season, I did not purchase anything new for UBCon. I had a 6×2 table banner, 4 different 11×17 posters, one miscellaneous print, 4 T-shirt designs, and of course, my stand-alone short story comic, Not Alone. Prices ranged from 5 bucks for the one print to 20 bucks for a black, 2-color T-shirt.

Demographic: 18-24 college students for the most part, probably 60:40 men. Attendance was about 600 total all three days. Most people were serious anime fans, but there a large majority of zombie survival fans. Very few traditional comic book fans that I was aware of. I’m a big fan of knowing the demographic of a convention, because if your merchandise doesn’t appeal to them, how are you going to sell anything?

What sold: Sold out of $5 Zombie T’s (10 in total). I had a defective print run, so I got a batch for free and a replacement batch at no charge. The shirts were quality, the ink was just a bit splotchy and I was unhappy with the quality. Rest assured, all buyers were made aware of the reason the shirts were $5 instead of $20. I sold 3 $10 Not Alone books, 1 $15 T-shirt  and 2 $10 prints.  Total profit of $105…but promptly spend $15 of that to fill my gas tank. It’s pocket change, but all the merchandise was paid off, so it was complete profit.

What did not sell: My posters have been selling very poorly. The first convention I brought them to, I barely sold any. There was a question whether the images did not appeal to the demographic but were good, or whether the images were just…bad. I’m leaning toward the latter now, and will probably just try to move this merchandise at 1/2 price, get rid of them, and come up with new prints.

What I would do differently next time: Better prints, per the above. More pretty things with humans and less pretty things with animals (or maybe I just need to man up and attend a furry convention!) Hand-made goods were pretty popular at this convention, especially creations like Bags that Bite (they were so coool!) and crocheted monster hats  (I have a business card from this, just not on me. Will link later). I am going to try hand-made figurines (at around $20 each). I don’t know of what yet, but it’s something I want to try.

Pete’s con write-up (has more pics, including everyone’s table set up!)

Taka’s write-up (includes our trip to the zombie exhibit in Monroeville Mall!)

The Good

We met so many great, wonderful awesome people who made the whole thing worth it. I made so many con buddies, exchanged tons of business cards, and made friends with some stellar artists. The convention center was new, the staff were friendly and helpful, there were free coffee refills, plenty of parking, and the bathrooms were CLEAN. There were good crowds on Saturday, and even on Sunday despite the football game.

The Bad

The con was mis-marketed. It was NOT a comic convention, regardless of being a “toy and comic book show.” It was for toy collectors, and every single indie artist or writer there had a horrible, horrible time selling anything…that I’m aware of.  No one came to buy “new” things. They wanted toys, collectibles (like movie props) or funny T-shirts.  I am deeply in the red after this convention. I had anticipated a much better weekend for sales, at LEAST to break even. We did not even do that. I will NOT be attending this show again, and I don’t recommend it for any indie.I barely made back the cost of the table.

The Friday crowd was non-existent, and the crowds the rest of the weekend were FAR lower than advertised. This was the first year the con was held at the new convention center.

The Ugl–I mean, Lessons

Not every convention will be good. Some will be bad for sales, and it won’t even be your fault; it’s just the wrong crowd. You could have perfectly good merchandise and no one will buy, or even give you a moment of their time to TRY to pitch your story, because they are not there for you. Take a deep breath, because you’ll do better the next time. Don’t get disheartened! Take what you’ve learned and apply it to the next convention.

Don’t try and sell your merchandise for absurdly low prices at a bad convention to try and get sales. It is better to wait for a convention where you can get what they are worth. You may have money in your pocket THEN, but you won’t make back what you put in to get the merchandise in the first place.

When at ever possible, split costs between people. A bunch of us split a hotel room. Taka and co. car-pooled. Attend conventions where you have friends or relatives and stay at their place for free. Split booths or tables if possible.

In a large convention, it is VERY important to have both horizontal and vertical displays of what you are selling. People don’t want to look down, they want to look straight. Have your best selling or most eye-catching stuff at eye level, because it will make people pause and look longer.  You can do this with easels, portable walls, boxes, etc. We did not have this at my table, so we took our biggest box and draped T-shirts on it.

Inspect all merchandise before it sells. Don’t sell bad merch. I learned this the hard way. My best-selling T’s had defects. I was so pissed off you could not imagine. Discovered them the DAY OF the con.

Be original. Don’t be the odd, anti-social artist behind the table. People will NOT want to talk with you. Good hygiene, people. Belts. I swear, if I saw the crack of the guy across the row from me ONE MORE TIME I was going to either to freak out or hurl. Perhaps both. Above all, just LOOK approachable. Look normal. At more traditional “comic book” shows, your cosplay of an anime character may just scare people away. It’s important to look memorable, but also to look normal, ok?

Have XXL shirts. Period. I would have made way more shirt sales than I did if I had had XXL.

(more lessons from previous cons here)

What I Sold

T-shirts only. I sold 5 zombie-related T’s, 2 No Aerial Hunting T’s, 2 Polymath T’s and 1 $2 sketch. Two books also sold, but both were to friends who only wanted to support the indie artists, so I don’t know whether to count that. One of the two had his own comic book, so I went and bought his in return so that neither of us really made a profit. The other guy, super-friend “Fluffy” was just awesome enough to buy stuff because he was awesome. I sold zero prints, but gave 2 away. Also gave away 2 books in return for some reciprocal swag. Net for this con therefore barely broke $150, when over $500 was spent for table, gas, food, hotel and merch. At least now I have plenty left over to sell at the next convention.

The whole fact that I barely sold any comic books at all, but a fair amount of T’s really just proves my hypothesis going into this convention though: it’s very important to have merchandise that people who have never read your comic (and who are not even interested in…) can consider buying. None of my T’s had anything to do with my comic. They had to do with zombies, individualism, banning a cruel hunting practice, and fighting. If you are interested in going to conventions to make money, be aware there are probably many things you could make that would sell better than your comic alone! DIVERSIFY.

Ok, and now for the awesome people that I met!

The 501st Garrison Carida

These guys (and girls, I know there were a couple) are without a doubt, the most awesome group of Imperial Costumers (as in, Star Wars) of all time. I’m still not quite sure how it happened, but we made friends with “Fluffy” the Biker Scout and kind of were strangely adopted by this group.  Somehow we got invited out to Don Pablo’s with the gang, where surprise of surprises, Peter Mayhews, “Chewbacca,” the guest of honor of the convention was ALSO the guest of honor at the dinner. WOW! So cool! The guy is fer-reaking tall, but totally nice! I didn’t talk with him at all, but damn, the troupe was on a first-name basis with him.  Again, WOW. I was like, 15 feet from him the whole night. Ok, Kez, enough celebrity worship. You’re not even THAT in to Star Wars!

The 2 women in this photo are 2 Iron Sirens, also guests at the con, and are not affiliated with the 501st.

The Lake Erie Pirates

These guys are TALENTED! I have never laughed so hard in my life as when “Jack Sparrow” strutted down the isle. The mannerisms and costumes of the entire gang were SPOT ON. And the props! DAMN! Awesome all-around.

Motorcyleboy Comics

There were very few indie comics at this con other than our group, but the most memorable of the rest was definitely Motorcycleboy! We met Sheila, her hubby and the writer Billy, and made fast friends. If you’re up for a gritty, realistic, poetic graphic novel done with traditional art, MCB is the comic for you! I have a copy now myself. WHEE!

Kevin R. Leen

This hilarious and marvelously talented artist was at the table to my right! Kevin had some of the most beautiful illustrations I’ve ever seen for Marvel and DC heroes. If you are looking for some fabulous artwork, check him out!

Sean Patrick Pence

Did I mention yet that I was completely out-classed by the tables surrounding me at this convention? No? Well if Kevin’s work wasn’t evidence enough, behind us sat Sean and his buddy (whose name I never got! EEP!) Sean is a master of colored pencil and ink portraits of celebrities, including Star Wars, Star Trek, Harry Potter, LotR and more! He gave me two AWESOME pictures of Indiana Jones, only my favorite movie hero of all time! (I named my dog after him, y’know!)

PK Cards: Chris, Daryl, Yoshinori, Dave and co.!

These guys had the most awesome booth set up EVER. I’m talking specialty gaming tables and chairs, TV’s, a digital set up for the artist….just…wow! I’m not even into table top card games and the like, but these guys had the best looking cards I’ve ever seen! The art was top-notch, way better than I what I usually see! I got to talk a lot to Yoshinori, an artist who did a large chunk of illustrations for the first card set. Got to watch him paint in Photoshop. OMG, made the scrawling I do look like sidewalk chalk art by 5-year-old.  Dave is also as big a Stargate as myself, and I wish him the best in the Air Force! (AVOID NORTH DAKOTA!). Chris and Daryl were phenomenally cool, and it was great to hang with them at the bar. I cannot believe I didn’t nab a picture with them, or at least me fawning at Nori’s feet, begging for tips.

Tod Allen Smith:

Tod sat right behind my table on the other isle in this convention, and is also affiliated with the 501st! Tod does sketch cards for comics like Iron Man and X-men, as well as some absolutely fabulous portraits. His art is totally stellar. Had I the money, I think I would have bought him out. He’s trying to sell some Iron Man 2 cards, details up on his DA page (click his name). Help an artist out, eh?

In the end, the fun times had made the convention worthwhile. It was the best time I’ve had in ages. I won’t be doing SCC again, but I do plan on finding out what other conventions these guys are all doing and seeing if I can’t do the same! There are a couple more people I met on here that I have not mentioned because I don’t have the box with all the extra swag in it! ARRGHH. I’ll edit this post when I get it back.

I leave you with….ggassssssssppppp!

Here’s how it went down!

It was from 10-4pm at a Marriott hotel. It was a nice-size room, well set up, with nice large tables! There was no real artist’s alley like at larger conventions, which was kind of nice, since we were right next to the dealers. BCC was NOT an anime convention, it was a comic book convention, so that was what was big. There was a nice diverse crowd though. A lot of parents bringing their children, which was nice to see! I’m sure most comic fans are aware of how the main audience for print comics nowadays is uh…the same audience that liked them 40 years ago.  My Not Alone books are also aimed at a younger crowd, so that was good for me!  I only have 3 left now, AND turned a nice profit on them from the 50 I originally printed out.

My prints did well also. Since this was a traditional comic crowd, I tried to have more “action” stuff this time around. Got a lot of compliments, which was nice. Two groups of people pitched web-business “aids” to me…but I wonder how aware they even are of the webcomic crowd. Tons of people grabbed my business cards too. I don’t think I’ll ever go to a convention without cards. :D

This time around I ALSO had a bunch of original sketches and inked sketches for sale. I was actually a bit sad to part with some of them. I don’t have a scanner here, so I don’t even have a digital copy. BUT, what I’m getting at here for digital artists is that people who go to conventions LOVE originals.  It also turns out that digital art really does help you out on real paper. My sketching was 100% better than when I last tried. It was very confidence inspiring!

I have 3 main pieces of advice this time around:

Always price your items to what is easiest to “break.”  I recommend going by 5′s.  No odd prices! It makes purchases really hard when people keep coming around with 20′s. Be sure to come with small bills yourself.

You look really professional if you have bags for people to use when they buy your stuff. If you’ve got prints, paper bags or tubes work very well. Regular shopping bags for anything else. I forgot both, so I folded up some regular print paper as a mini-holder. That way, no one got their finger grease on my beautiful prints!

Be completely confident in your work! You may sit next to amazing artists who are better than you. So what? It’s YOUR work, and you made it, and no one is going to buy ANYTHING from you if you keep going on and on about how “oh, this isn’t perfect and that sucks and I can do better I swear etc etc emo etc.” The only thing you’ll get is pity-sales by some lady who has too much mercy. This is especially important if you are “out of your element.” Holy freakin’ poopsicle, folks, I don’t read DC/Marvel comics, much less like them! I even dislike most of the movies made off them! I think only 1/20 of BCC goers had even HEARD of webcomics. But damn, I stood out, and that’s how I sold stuff. And, oh yeah, I was the only female comic creator in attendance. Booyeah.  A lot of women were like, “power to ya, girl!” Fun times. Semi-embarrassing, but fun!

The final tally for this small con: $30 spent on prints, $120 made, for a net profit of $90 in 6 hours. Not awesome, but not bad!

My prices: $5/sketch, $10/ink/11×17 poster/Not Alone book, $20/22×34 poster.

Sold 2 inks, 7 books, 3 11×17 posters. Sold ZERO sketches (but gave 2 away) and ZERO 22×34 posters. Either the posters were for the wrong crowd, or $20 is just too expensive (economy? This convention? Unsure!).

Sat next to John and his awesomely-talented son, who have a Facebook comic called Captain Outstanding going! Check that out here. It’s a REALLY funny premise.

Finally, the “character” of the convention was this totally…cliche…youngish dude dressed in a green shirt, a dark brown blazer, and YELLOW CORDUROY PANTS, with a military-green messenger bag and an unkempt beard. Can someone scream “emo poet” a little louder please? I need to bring a camera to these things! That’s all from me! The next con I will be attending is Steel City Comic Con in Pittsburgh, December 4, 5, and 6!

First, the Corn Hill Arts Festival is an annual art event in Rochester, New York, USA. It’s outdoors, 2 days, from 10am to 5-6pm.  I applied for an Emerging Artists booth after stumbling upon a listing for that at Craigslist (completely by accident! I NEVER go on Craigslist!). Well, it was a complete SHOCKER that I got a booth, because let’s face it: comics are considered the black sheep of the art family. Even lawn ornament makers get higher esteem, not to knock them, because I like ornaments, but we are all aware that comics are looked down on by the majority of people on the planet…especially those who don’t even READ comics….but okay, I digress. Anyways, the booth was $15 compared to the normal $300. It was a once in a lifetime opportunity for a poor graduate like myself, so I went for it and actually GOT it.

THEN, okay, get this, from a previous article I wrote about the festival here at WWS, the Corn Hill organizers noticed me (go you, WWS readers!). THEY contacted the Democrat and Chronicle, Rochester’s newspaper, who wanted to interview some of the emerging artists. And then, this happened:

You can read the full article here. This was Saturday morning’s paper, the first day of the festival. Okay, um, I had no flippin’ idea this was going to happen. I was expecting some sort of small itty blurb on the back page of something hidden between car dealership ads and dating service ads. Yes. Um. I fluctuated between D: and XD for the next 4 hours. But hot damn! Check out Ravar, front and center! How many comic characters can boast that?!

ANYWAYS…! My booth set ups, day 1 and day 2, respectively:

My sister Dien manning my booth <3

That's a genuine Indiana Jones replica fedora.

Notice the huge-ass 6×2 full-color vinyl banner. This was my frickin’ debut folks, and I didn’t hold back. If I recommend anything for anyone doing a convention or festival, a banner is my number 1 recommendation! It attracts eyes! It’s a purchase that pays for itself! For this banner, I paid $85.  Banners with 1-3 colors are FAR less expensive, if you care to design that way (cost is by the square foot, and by the number of color). Many businesses gave me quotes of $100-150, and that was quite a rip-off. Alex Heberling of Garanos says she got one for $50. If you are preparing for a convention, open those yellow pages, call everywhere, and get quotes. Make sure you have your specifics on hand so you don’t sound a moron either.

WHAT I WAS SELLING:

I’ll start with the shirts, since they were most popular items.  My T-shirts had absolutely NOTHING to do with my comic. I’m sorry folks, but anyone who thinks that slapping their logo or characters on a T-shirt works is in for case of broken piggy-bank and depression. Why would anyone buy merchandise with characters they didn’t recognize? If you are going to convention or festival to SELL things, it’s not about YOU. It’s about the people TO WHOM you are selling. This is not to say your characters CAN’T sell, just they need to be part of a design more easily accepted by people who don’t know your work.  I had 4 shirt designs, all with a different demographic in mind:

Zombie T-shirt (top left, first image): SOLD OUT, 10/10. Extremely popular. Targeted to males 16-30.  I bought each for $16 at a local printer (small run, more expensive, plus 2 colors and a set-up fee. Would be less the next run I do, since no set up fee, and a larger batch since I know it’s popular. The more you buy, the less expensive each is. Most stores have minimums orders of 12.) Sold each for $18, should have gone $20 probably. Made $180. I had people ask to reserve one the next time I printed it. That’s a good sign! I will be making more designs on this theme. I encourage you to capitalize on themes NOT ASSOCIATED with your comic. If you are attending a gaming/anime convention, come up with a gaming shirt that makes people laugh.  If you can make people laugh, they stop and talk with you, and you can convince them to buy the merchandise.  DO NOT INFRINGE ON COPYRIGHT. This means, to legally make money, don’t put a character you don’t own, or mention a trademarked name (Nintendo, etc) on the shirt. Guys, that’s illegal. More and more conventions are enforcing this rule.  Be aware of this.

Polymath T-shirt (last one folded on the table, large size here to read): sold 3/10. Targeted to 25-45 year-old men and women. I decided to print this shirt because it was the one with the most views in my online store.  I bought each shirt for $12.20 and sold them for $15. Made $45. This shirt had a lot of [meaningful] text on it. I hung it prominently so that people wanted to stop to read it when they saw it. This gave me time to engage them in conversation.  It was a strategy that I discovered accidently. Present some curiosity that makes people pause. If they pause, you can talk to them. If you can talk to them, they are much more likely to buy something.

Fighting is my Preferred Method of Meditation T-shirt (the only T-shirt I’ve ever sold multiple times through my cafepress store) Targeted to men 18-30 who watch or engage in fighting/MMA/UFC/martial arts.  At the same cost as the polymath T’s,  I sold 2 for $27 total (one of them had brushed up against some rust, so I took of $3 bucks). This is my oldest design, I hadn’t really expected it to sell all too great, but since it’s the only one that’s actually sold multiple times before, I decided to print it.

Ban Aerial Hunting T-shirt. This was one I did as a gamble. It was targeted to liberal women, 25-40. Okay, that’s about half the population of Rochester, but this design sold ZERO. Zilch. Nada. None. I don’t think I’ll attempt any politically-themed shirt again. I will however be sellings these on my site…in case anyone is interested…ahem.

While I’m still on the subject of shirts, SIZES are very important. I recommend this ratio (out of 10): 1 small, 2 medium, 4 large, 2 XL, 1XXL.  XXLs cost more than the rest, so if you can’t go for that, probably 3 mediums. Also, the more colors on the T-shirts, the more expensive they are. I changed a lot of my designs to single colors, except for the zombie shirt.

Not Alone Comic Books, printed by Ka-Blam: A LOT of people stopped by to pick these up and browse them. They by far were the most impressive part of my booth. Anybody can make a T-shirt, but few people have a book with their name on it.  I sold 18 books at $10 each for $180 total, and each book cost me $7.

Prints: prints and posters are what most people usually sell at conventions in my experience. At the festival, prints were NOT popular. The only prints I saw people buy were photography prints, or pop-culture (MJ tribute) posters. I’m unsure if the CONTENT of my posters is simply poor, if it’s just the wrong audience. Until I attempt to sell them to a comic-oriented audience, I won’t know. I sold only 2 11×17 prints for $10 each, for a total of $20. Each 11×17 cost me $2.50, so that was still a lot of profit on each.  I had 20 11×17 made, and 8 22×34 posters. The 22×34 posters were top qulaity AWESOME prints, and cost me $31 each. I had them marked at $35 to sell. I also made the posters a 4-image series in the attempt to sell multiple prints to one individual (with the mind-set that since it’s a series, you have to collect them all, a la pokemon!), but that did not work. I would encourage others to try something similar and let me know how it works though!

WHAT ELSE I HAD:

BUSINESS CARDS! I think the only thing I would recommend before a large banner for a convention is business cards. I handed out over 100. My business cards were so incredibly eye-catching, people wanted to take more than one. If nothing else, it was a totally memorable card, unlike something cheap on card stock, printed at home. That works, I guess, but I wanted to look professional. A good business card REALLY can give you an edge. I recommend print100.com, which was where I got mine done. You can add me as a referrer (warofwinds@gmail.com) and they give me credit there. Be awesome, go! Get cards!  Taka gave me one of his when he showed up. They have rounded corners and are awesome, by print100 also. I keep cards on me always! If someone mentions websites or characters in a conversation, I can pull one out and hand it to them.

Commission examples: these were popular, and I had tell people multiple times I could not sell them since they were other people’s original characters I had been commissioned to draw. The second day, I displayed these much more prominently than the first. Many more people took my card and said they would be in touch.  It was definitely a goal of mine to drum up some commission business. A couple people have already emailed me about jobs.

Aritsts Statement/biography/ “Who is KEZ”: I had a short biography of me, how I started comics, how I make comics, that kind of thing. It was a perfect conversation starter, especially when I was busy talking with one person and other people were at the booth. On the second day, I had this statement right above the newspaper article.  When people found out that I have a degree in Biology, not arts, well, that was a whole conversation right there!

EXTRA STUFF I BROUGHT THAT I’M REALLY GLAD I DID:

I am the kind of person who likes to be prepared. Prepared people don’t look like morons when they realize they have forgotten really important things more experienced people would have brought. I had what I call my “miscellaneous items box.” This box contained: clothesline, scissors, clothespins, paperclips, duct tape, masking tape, sharpie markers, pens, pencils, extra sheets of paper, T-shirt hangers and shopping bags. Having shopping bags was a great touch. A lot of booths didn’t have any, so people were just  tucking it uncomfortably under an arm. Saving a couple bags from your next grocery store run could really help you out. Also, a trash bag is nice to have for yourself.

The clothesline was perfect for hanging posters. I padded the clothespins with soft cloth to keep them from making indents in my posters as well. I used the clothesline to hang T-shirts too (Yay knot-tying skills! I swear, the most useful class I took in college was “Adventure Challenge.” David Berkey, you rock man). Hanging the T-shirts made people stop to look, and then they looked in the booth as well. We used TONS of tape. Bring that, definitely. I used paperclips on the second day to pin prices to the T-shirts as well. I hate bringing real pins with me. I drop them, lose them, prick myself…yeah. I stay away from pins.

I also brought boxes with me. The free kinds that you can pick up at BJ’s, Sams Club, Cost Co, etc. I used these as display boxes for items that I did not want to get ruffled. Look for the ones that can be folded inside out. It saves you the time of covering up annoying “Old Spice” logos.

I had packaging containers for the poster prints: cheap little tubes you can pick up at the post office for a buck or 2. This was my sister’s idea. Brilliant. I wish we could have gotten more use out of them though. If nothing else, I can sell the psots online and ship them now, no problem.

I brought chairs. THREE chairs. One each for me and my sister, and one extra, INVITING, empty, chair for other people to use. It got a lot of use.

Tables. At a convention, they usually provide these, but at festivals, they don’t. Luckily, we have a family friend that let me borrow his.  Speaking of tables, I brought a sheet to cover them. A sheet is less classy than snazzy black fabric, but far more classy than an uncovered table. Plus, you can put your packaging underneath the tables and it’s hidden.

Towels and plastic covering: important for any outdoor event, not so much for an indoor event unless you’ll need to transport items through the rain to your car or something.

A cooler full of snacks and bottled water. This saved our lives, because the food there sucked and made me want to hurl. Eww. My stomach just cringed thinking about it.

WHAT ELSE I WOULD DO DIFFERENTLY:

I wanted merchandise I could sell for under $5:  stickers and bookmarks mainly, but I didn’t have the TIME. As a digital artist, I had to CRAM out everything in time for this festival.  IAt the next thing I do, I want to have shot-glasses for sale. Yeah, my awesome printer guys can print ANYTHING for me. Maybe fleece blankets and beer cozies. Maybe stationary. If you’re serious about getting stuff printed, real high-quality stuff, email me at warofwinds@gmail.com and I’ll tell you who does my stuff. They have my highest recommendation, and VERY fair prices.

More themed stuff. Guys, I really love discussing zombie scenarios, weapons, martial arts, etc. Next time, I’ll have more of that. Geeks like me love that kind of stuff, and geeks are all over comic conventions. There are also tons of geeks walking around art festivals, usually dragged there by their totally un-geeky counterpart who disapproves, but humors, that side of their significant other.

More examples of The War of Winds. Other than the banner and one comic page I had printed out, I did not have many examples of the style, which is MUCH different than the Not Alone style.  It’s hard to print that comic out, y’know? Infinite canvas is EXTREMELY annoying in print.

Cardboard cut-outs. Someone wanted to buy Ravar. Sorry guys, but my GREEN WARRIOR (those of you who follow me on Twitter will get that reference) is all mine. I think I might get my printer guys to do some cardboard cut outs though.

IN CONCLUSION:

I did not break even. Not even half even. About 1/4 even after taxes ($432 total, out of about $1200 spent). The crowds were far less than expected, mainly due to a big ‘ol storm that ruined the prime hours of the festival on Saturday. I couldn’t display anything for about 2.5 hours. And then it took people another hour to come back. 250k were expected. I would estimate that in those 2 days, in total, I saw about 4-5k in my area of the festival. Now, keep in mind, Corn Hill is a HUGE festival. The booths go on for miles. There were probably many people who simply never found the Emerging Artist area. Regardless, the experience was extremely positive. Because of that newspaper article, I had innumerable people stop by, some JUST to see me. I had a young girl up to me and show me her portfolio. I think she was ten or eleven. That was probably the highlight of the whole weekend right there. I had a man pitch a book adaptation/movie deal to me. A lot of friends stopped by and told me how proud they were of what I was doing, or how happy they were I had the opportunity, or just to show some support with their presence. My dad bought 10 copies of the paper to send to relatives. Everyone was extremely positive, and totally supportive—when I had expected the complete opposite!. At times, I had crowds of people, and I talked to them about comics–the ART of it, how I make it, what of skills it requires…it was wonderful. Remember, I did my college thesis on comics, so that kind of thing is important to me!

Now I know exactly what I’m going to do differently, what sells, what doesn’t, and frankly, just how to HAWK merchandise. If you are going to a convention, be out-going, dammit, not that introvert in the corner drawing in the sketchbook. When you are drawing, no one wants to interrupt you to talk with you!  Drawing on-the-spot commissions is different than drawing in the hopes that no one talks to you but buys your merchandise anyways. Smile, say hello to everyone. Be a CHARACTER.  I, for example, wear a fedora. I can pull that off. People remember the crazy comic-making girl in the fedora.  So many people at this festival looked depressed in the backs of their booths, avoided eye contact, and talked to only a handful of people when rivers of people passed by.  Each person is a prospective buyer. If you see them stopping to look across the way, invite them over. Make them feel comfortable. Show them the merchandise they are looking at. Tell them about your passions, it will make them connect to you and your work, and may help them make the decision to buy it.  When someone asks you that question they are GOING to ask you (“hey, what’s your comic about?”), BE ABLE TO CONDENSE IT INTO TEN SECONDS. When people ask you what your inspiration is, same thing! Ten seconds! If they have more questions, they will ask. A conversation is TWO sided, guys. You yack someone’s ear off describing the backstory of your world, and that person will nod and walk away REAL fast.

Don’t be shy or ashamed of anything. Be DAMN proud of your work, even if it’s nothing like the person’s next to you.  I had a problem with this. Not Alone, the comic I had for sale, is to me a pretty horribly-written story. I describe it as cotton-candy, while my other work, The War of Winds, is beef stew. But you know what? I was the only person in the history of the entire festival (that I’m aware of) that wrote, drew, designed and self-published a frickin’ BOOK.  I was the first comic creator PERIOD. And I was proud of that.

Phew, DA’END.  Oh wait. Yeah, I hope to attend a bunch of other festivals in the area. A couple people asked me if I’d be at the East End Fesitval, but it looks to be mainly about music, so I dunno. I’d really like to go a couple comic convetions in the area. I’d LOVE to go to Anime Weekend Atlanta with some comic buds. I have to see if I can make back the cost of a plane ticket, a room, and a weekend pass first.  I need a few days off to think about this stuff though. Anywho, those of you more experienced at cons and selling stuff, I don’t know how my strategy jives with yours. I admit to a shotgun approach in my merchandise. But I needed experience on what sells, and now I know.  Some of you will probably say my stuff was underpriced or over-priced. My goal was to keep everything under $20, since it’s mainly a cash-only festival. Oi. Ok, NOW the end.

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